Educator

Professor of Music — Author

Articles

Articles by Michael Webster in The Clarinet, official magazine of the International Clarinet Association, may be found at www.clarinet.org.

 

Issue

1. Vol. 25, No. 3
2. Vol. 25, No. 4
3. Vol. 26, No. 1
4. Vol. 26, No. 2
5. Vol. 26, No. 3
6. Vol. 26, No. 4
7. Vol. 27, No. 1
8. Vol. 27, No. 2
9. Vol. 27, No. 3
10. Vol. 27, No. 4
11. Vol. 28, No. 1

12. Vol. 28, No. 2
13. Vol. 28, No. 3
14. Vol. 28, No. 4
15. Vol. 29, No. 1
16. Vol. 29, No. 2
17. Vol. 29, No. 3
18. Vol. 29, No. 4
19. Vol. 30, No. 1
20. Vol. 30, No. 2
21. Vol. 30. No. 3
22. Vol. 30, No. 4
23. Vol. 31, No. 1
24. Vol. 31, No. 2
25. Vol. 31, No. 3
26. Vol. 31, No. 4
27. Vol. 32, No. 1
28. Vol. 32, No. 2
29. Vol. 32, No. 3
30. Vol. 32, No. 4
31. Vol. 33, No. 1
32. Vol 33, No. 2
33. Vol. 33 No. 3
34. Vol. 33 No. 4
35 Vol. 34 No. 1
36 Vol. 34 No. 2
37 Vol. 34 No. 3
38 Vol. 34 No. 4
39 Vol. 35 No. 1
40 Vol. 35 No. 2
41 Vol. 35 No. 3
42 Vol. 35 No. 4
43. Vol. 36 No. 1
44. Vol. 36 No. 2
45. Vol. 36 No. 3
46. Vol. 36 No. 4
47. Vol. 37, No. 1
48. Vol. 37, No. 2
49. Vol. 37, No. 3
50. Vol. 37, No. 4
51. Vol. 38, No. 1
52. Vol. 38, No. 2
53. Vol. 38, No. 3
54. Vol. 38, No. 4
55. Vol. 39, No. 1
56. Vol. 39, No. 2
57. Vol.  39, No. 3
58. Vol. 39, No. 4
59. Vol. 40, No. 1

60. Vol. 40, No. 2
61. Vol. 40, No. 3
62. Vol. 40, No. 4
63.  Vol. 41, No. 1
64.  Vol. 41, No. 2
65.  Vol. 41, No. 3
66.  Vol. 41, No. 4
67.  Vol. 42, No. 1
68.  Vol. 42, No. 2
69.  Vol. 42, No. 3
70.  Vol. 42, No. 4
71.  Vol. 43, No. 1
72.  Vol. 43, No. 2
73.  Vol. 43, No. 3
74.  Vol. 43, No. 4
75.  Vol. 44, No. 1
76.  Vol. 44, No. 3
77.  Vol. 45, No. 2
78.  Vol. 45, No. 3
79.  Vol. 46, No. 1
80.  Vol. 46, No. 3
81.   Vol. 47, No. 1
82.  Vol. 48, No. 1

83. Vol. 48, No. 4

84. Vol. 49, No. 4

Dates

May/June 1998
July/Aug. 1998
Dec. 1998
March 1999
June 1999
Sept. 1999
Dec. 1999
March 2000
June 2000
Sept. 2000
Dec 2000

March 2001
June 2001
Sept. 2001
Dec. 2001
March 2002
June 2002
Sept. 2002
Dec. 2002
March 2003
June 2003
Sept. 2003
Dec. 2003
March 2004
June 2004
Sept. 2004
Dec. 2004
March 2005
June 2005
Sept. 2005
Dec. 2005
March 2006
June 2006
Sept 2006
Dec. 2006
March 2007
June 2007
Sept. 2007
Dec. 2007
March 2008
June 2008
Sept. 2008
Dec. 2008
March 2009
June 2009
Sept. 2009
December 2009
March 2010
June 2010
September 2010
December 2010
March 2011
June 2011
September 2011
December 2011
March 2012
June 2012
September 2012
December 2012

March 2013
June 2013
September 2013
December 2013
March 2014
June 2014
September 2014
December 2014
March 2015
June 2015
September 2015
December 2015
March 2016
June 2016
September 2016
December 2016
June 2017
March 2018
June 2018
December 2018
June 2019
December 2019
December 2020

September 2021

September 2022

Title

Introduction
By Note or by Rote
Notation and Intonation
One Thing at a Time
Introducing the Right Hand
Ear Training (To Half & To Whole)
The Architecture of Technique
Tonguing; Hasty at Eighty
Finding the Right Tonic
New Fingerings; New Friends
Prodigies and Probabilities; Process and Progress
Master Class: Copland Clarinet Concerto
Tongue and Lung
Banish “The Break”
Registers and Keys
Rainbows & Bridges (Banish the Break, Part 2)
Tongue and Lung (Part 2)
Orientation, Modulations, Celebration
Gaining Speed (a new kind of interval training)
We Got Rhythm
Living in Harmony
Partial to Partials
Partial to Partials, Part 2
Clarinethnicity
Songs: With and Without Words
Partial to Partials, Part 3
Them’s the Breaks!
Banish the Break, Part 3
Beyond Baermann
Mining for Minors
Promise Her Anything, But Give Her Arpeggios
Etuduets
Seventh Heaven
Seventh Heaven–The Journey Concluded
The Trill of Victory
The Home Stretch Part 1
The Home Stretch Part 2
Practicing Successfully
How Dry Am I?
It Don’t Mean a Thing if it Ain’t got that Swing
Keep Your Temper!
Keep Your Temper, Part II–Fingering the Fundamentals
Keep Your Temper, Part III–Basics
Keep Your Temper! Part IV
Go Ahead. Lose Your Temper!
When Should You Lose Your Temper?
Early Music for Early Players, Part 1
Early Music for Early Players, Part 2
Fa La La & Sha Na Na
Gimme Five!
The Continuum of Articulation
Breathe Well, Be Well, Part 1
Breathe Well, Be Well, Part 2
No Visible Means of Support
“Gee Whiz!”
Seventh Heaven Revisited
Simplify, Simplify, Simplify
Transposition
Don’t Flip Out	
Go for the Gold
In Memoriam Stanley Gaulke (1934-2012)
Compound Interest
Rest Assured
Gimme Five, Part 2
Mix and Match, Part 1
Mix and Match, Part 2
Beyond Baermann, Part 2
Who’s on Bass
Holding Pattern
Air-ticulation, Part 1
Air-ticulation, Part 2
Hemiola is Not a Disease
Hemiola is Still Not a Disease
Bracketology
Pinky Power, Part 1
Pinky Power, Part 2
Pinky Power, Part 3
Alternate Register Keys
Couples Therapy
From Tyro to Pro
Reed Redemption, Part 1
Reed Redemption, Part 2
Reed Redemption, Part 3
Transposition, Part 1

Transposition, Part 2

Two Pandemics

 

Distinguished Students

 

Steve Williamson

 

Principal Clarinet, Chicago Symphony; former Principal Clarinet, Metropolitan Opera Orchestra

Alan Kay

 

Orpheus Chamber Orchestra; faculty, The Juilliard School

William Helmers

 

Milwaukee Symphony

Lee Livengood

 

Utah Symphony

John Friedrichs

 

Syracuse Symphony

Patti Dilutis

 

Buffalo Philharmonic Orchestra

Andre Dyachenko

 

Principal Clarinet, Memphis Symphony

Michele Verheul

 

Principal Clarinet, Orchestra London (Ontario)

Steven Jackson

 

Boston Lyric Opera; Monadnock Festival; Principal Clarinet, Nashua Symphony; substitute, Boston Symphony and Boston Pops

Gary Gorczyca

 

Boston Musica Viva; Fromm Chamber Players; Chameleon Arts Ensemble of Boston; substitute, Boston Symphony

Song Tu

 

Former Principal Clarinet and Personnel Manager, Guangzhou Symphony; Current Personnel Manager, Hong Kong Philharmonic

Jan Halloran

 

Principal Clarinet, Boston Lyric Opera; Dartmouth University; Boston Conservatory; Portland (ME) Symphony; Opera North

Carolyn Agria

 

U.S. Marine Band “The President’s Own”

Rochelle Oedemann

 

Air Force Band, Tech. Sergeant (retired)

Barbara Haney

 

U.S. Marine Band “The President’s Own,” Master Sergeant (retired)

Louis DeMartino

 

Principal clarinet: Hawaii Symphony Orchestra, Portland Opera, Oregon Ballet Theatre, Colorado Music Festival at Boulder

Dr. Kelly Burke

 

Associate Vice-Provost, UNC-Greensboro; Principal Clarinet, Greensboro Symphony

Dr. Linda Cionitti

 

Professor of Clarinet, Georgia Southern University

Dr. Shannon Thompson

 

Professor of Music, Western Carolina University

Dr. Maiko Sasaki

 

ROCO Chamber Orchestra, Houston

Sergei Vassiliev

 

Principal clarinet, Colorado Springs Symphony

Dr. Brian Viliunas

 

Associate Professor of Clarinet and Orchestra Director, Samford University, AL; Fulbright Scholar in Norway 2006-2007

Dr. Matthew Nelson

 

Associate Professor, University of Louisville

Elizandro Garcia-Montoya

 

Clarinetist of Fifth House Ensemble, Chicago; principal clarinetist, New Hampshire Music Festival

Natalie Parker Mowbray

 

Former Principal Clarinet, San Francisco Ballet; Associate, Holland & Knight LLP

Daniel Goldman

 

Principal Clarinet, Dallas Opera Orchestra

Eric Jacobs

 

Bass Clarinet and Clarinet, Seattle Symphony

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